Notes related to Estados Unidos

The Museum of Modern Art presents Crafting Modernity: Design in Latin America, 1940–1980, the first exhibition by a major American museum to examine modern design in the region on a broad scale.

The Denver Art Museum (DAM) presented Sandra Vásquez de la Horra: The Awake Volcanoes, the first solo show in a U.S. Museum for the Chilean artist, known for her participation at the 2022 Venice Biennale and being the recipient of the prestigious Käthe Kollwitz Prize for 2023.

ICA Boston presents Firelei Báez’s exhibition, the first North American show dedicated to the artist’s work.

Organized by Curator María Elena Ortiz, Surrealism and Us at Modern Art Museum of Forth Worth is inspired by the history of Surrealism in the Caribbean with connections to notions of the Afrosurreal in the United States. Representing a global perspective, this exhibition is the first intergenerational show dedicated to Caribbean and African diasporic art presented at the Modern.

Spirit in the Land at Pérez Art Museum Miami (PAMM) is a contemporary art exhibition that examines today’s urgent ecological concerns from a cultural perspective, demonstrating how intricately our identities and natural environments are intertwined.

The Modern Art Museum of Fort Worth presented Surrealism and Us: Caribbean and African Diasporic Artists since 1940.

The artist-in-residence program from the Alex Brown Foundation aims to provide emerging and established artists a space to create their work at Des Moines, Iowa. Deadline to apply: March 15^th, 2024.

Fondazione Prada presents Miranda July: New Society, the first solo museum exhibition of Miranda July’s work from March 7 to October 14, 2024 at the Osservatorio, located at Galleria Vittorio Emanuele II in Milan.

The SOM Foundation and the MAK Center for Art and Architecture announce a new Los Angeles-based residency program. Deadline to apply: March 8^th, 2024.

The Center for Art, Research and Alliance’s spring 2024 exhibition presents an intergenerational, feminist dialogue between artists Paloma Contreras Lomas (b. Mexico, 1991) and Ines Doujak (b. Austria, 1959). The show opens March 2 and will remain on view through May 12, 2024.

Raven Chacon: A Worm’s Eye View from a Bird’s Beak at Swiss Institute Contemporary Art New York is the artist first major institutional solo exhibition, organized in partnership with Nordnorsk Kunstmuseum.

TRANSFER Download: Sea Change at Pérez Art Museum Miami (PAMM), together with TRANSFER is an immersive exhibition that reflects on the accelerating changes across climate, culture, and time.

Americas Society opened Part II of El Dorado: Myths of Gold, an exhibition showcasing artworks by more than 60 artists that challenge, reinforce and question the continuity of the myth of El Dorado into the present.

Carlos Rosales-Silva is the Spring 2024’s Artist-in-Residence at Bemis Center for Contemporary Art.

Mattress Factory announces the 2024 International Open Call for artists-in-residence. Each artist will produce a solo exhibition of new work at the museum. Deadline to apply: February 8, 2024.

The Blaffer Art Museum at the University of Houston presented the first solo museum exhibition in the United States of Cuban conceptual artist Reynier Leyva Novo.

North-American artist Melissa Cody featured at MASP the exhibition Webbed Skies, with curatorship of Isabella Rjeille and Ruba Katrib.

KADIST San Francisco and Delfina Foundation presented iterations of de montañas submarinas el fuego hace islas (from the underwater mountains fire makes islands).

The Jewish Museum will present the first exhibition in the United States of Marta Minujín, a defining force of Latin American art whose trajectory intersected with the major artistic developments of the postwar period while reflecting a singular spirit and vision infused by her sharp intellect, irreverent humor, and performative presence.

MIAMI

To Weave the Sky: Textile Abstractions al Espacio 23 celebrates numerous textile-based works from the Pérez collection –many of which have never been publicly exhibited before – and engages these acquisitions as focal points from which to structure creative dialogues with artworks presented in other mediums.

MIAMI

The American Denim is a celebration of heritage and artistry, exemplifying the synergy of tradition and creativity.

Muriel Hasbun: Tracing Terruño is the first comprehensive career survey in New York City of multidisciplinary artist, educator, and advocate for Central American culture and history, Muriel Hasbun.

The Museum of Modern Art announced Emerging Ecologies: Architecture and the Rise of Environmentalism, an exhibition dedicated to both realized and unrealized projects that address ecological and environmental concerns by architects who practiced in the United States from the 1930s through the 1990s.

MIAMI

Aglaé Bassens: Emptiful is the debut solo museum presentation for the Brooklyn-based painter at Institute of Contemporary Art Miami.

MIAMI

Coming to Fruition is the first solo exhibition in the United States by Miami-based artist Jason Seife.

The artist’s first solo museum exhibition presents selected works from throughout her 30-year career and explores the history of migration between the Caribbean and the United States, gender, race, and the representation of the female body.

The Brooklyn Museum and the Joe and Clara Tsai Foundation’s Social Justice Fund Launch the Brooklyn Arts Leadership Collaborative. The Collaborative aims to boost Brooklyn’s arts and culture ecosystem by supporting programs and leadership development in eight BIPOC-led organizations.

The MacArthur Fellowship program announced the 2023 participants selection.

Interference Patterns is a solo exhibition of new and recent work by multidisciplinary Tlingit and Unangax̂ artist Nicholas Galanin at SITE Santa Fe. Rooted in his relationship to Land, Indigenous visual language, and thought, Galanin merges conceptual and material practices in his expansive creative approach.

US Pavilion selected queer and indigenous artist Jeffrey Gibson for the Venice Biennale 2024. Presented by Portland Art Museum and SITE Santa Fe.